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We use cookies to give you the best experience possible. Doane voice cinema film theory essay limited time offer! Get a custom sample essay written according to your requirements urgent 3h delivery guaranteed. Mary Ann Doane discusses the use of voice in cinematic presentation in this article. She determines the acceptance of voice by the viewer by defining the phantasmatic body of a film. This body is the replica created by the technology itself. It is the body of the character and of the film.
Voices within a cinematic presentation are assumed by the audience to come from this body, even if they are off-screen doane voice cinema film theory essay. The acceptance of this off-screen voice by the audience is dependent on an understanding of space within the cinema itself, doane voice cinema film theory essay.
It relies on an understanding that the frame of the visual image does not limit the aural space. Even the physical confines of the theater itself are not the limit of the diegesis or aural telling of the story. Though the visual story is limited, the audience accepts auditory input from outside the frame. The audience connects this input to the phantasmatic body in and of the film.
Doane defines three distinct spaces that are put into play for cinematic action. These are the space of the diegesis, the visible space, and the acoustical space. The diegesis is the space constructed by the film. It is physically limitless encompassing all that is portrayed within the film, including all visual and auditory cues.
The visible space of the film is that which is contained in the viewing frame — the screen itself. This space is recognized as visually limited, although auditory cues can come from outside the frame. The acoustical space is the space within which the sounds from the movie can be heard. This space is often defined within the theatre walls. Generally, sound appears to come from the screen and is thus visually activated, but can envelop the viewer as it seems to come from all around.
The use of voice to deepen the diegesis of a film occurs with the voice-off. A voiceover can be used to suggest that there is more to a character than is seen.
In documentary, however, voiceovers are accepted as being outside the visible and diegetic space of the doane voice cinema film theory essay. Spectators accept these voices within the acoustical space as not connected to the body and thereby endow these voices with a truthful authority.
Doane recognizes that sound and voice cannot be discussed in exclusion from the visual elements of film. The deployment of voice within the construction of a film greatly affect the definition of space experienced by the spectator. Doane, M. The voice in the cinema: The articulation of body and space. Cohen, Film Theory and Criticism pp.
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Pages: Word count: Category: Film Analysis Voice. Get a custom sample essay written according to your requirements urgent 3h delivery guaranteed Order Now. Bibliography Doane, M.
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